Oh what a list!

I have successfully completed the nightgown!

It really didn’t take me that long, per se, I just didn’t work on it straight through, taking breaks from sewing as that seems to be all I do in my free time lately. Even though that can’t possibly be true… But it will be soon. Miss Nora has reminded us that there are just over 60 days left until the Regency Retreat, and the following list I have for what I need clothing wise seems a bit daunting.

4 shifts - need 3

2 corsets - need 1
4-6 pair stockings - need 3-5
Apron
3 white petticoats - need 1
1 black under dress - need to finish trim
1 ball dress - need to redo sleeves
2 evening dresses; grey silk and purple sheer
4 day dresses - finish pink, need 3 more
Gloves, blue and white
Slippers
Boots - need to make new ones for Nora and I
Dress shoes - would be nice to have another pair
Reddingcoat
Parasol
2 mob caps - need 2
4 bonnets - need 2?
1 fishu - need 1
2 nightgowns - need 1 maybe
1 dressing robe - need 1
Shawls

Last week Nora and I dyed some muslin for day dresses for me. I like the green we came out with, but the red is just not Turkey red yet. And a Regency girl must have her Turkey red! She has been experimenting with more color combos and I think we’re going to try again soon.  I think my next steps on accomplishing this list will be as follows:

1. to finish altering the pink day dress I wore on the ship in Albany; I’m changing it into a wrap around
2. to finish the trim on the black dress (yes I know, this should have been done directly after the haunted summer eve, but what can ya do?)
3. take Nora’s advice and get my short corset made up, since we will be sitting around a great deal at the retreat and really a short corset will be most comfortable.
4. Alter my ball gown to change out the white poly for some white silk, fix the weird puckering issue (that probably only I can see) on the bodice, and replace the pearls on the outer sleeve.  This dress was done a while ago, not sure if I have pix up of it, so when I start that redo I will post before and afters. I’ll probably do that for all of the redos.
5. Make my green day dress, not sure what pattern to use yet…
6. I’m assuming by this point we’ll have successfully turned out a Turkey red, so I can make my red day dress in the style of an extant gown I’ll post pix of at that time.
7. All the underthings, maybe I can just whip em all out in a couple days since they’re not too complicated…
8. The shoes!! Oh and I must must must make a viable pattern for the shoes and boots as I will be teaching a workshop on making them at the retreat.
9. Dressing robe. I’ll probably need to make this pattern up at some point. I see viewing a bunch of regency era movies for ideas in my future.
10. Mobcaps and fischu
11. And lastly, if I have time and the inclination, another nightgown and more bonnets. I will however be making some of Stephanie’s new bonnet patterns at the retreat, so maybe it will be ok if I don’t have time for this now.

Hmmm, feels slightly better to get that planed out. But the 60 days seems very short at this point too.

Onward and sew!!
-Charlotte

Toten along

Although I have been silent, I’ve not been static. I finished a tote bag for my mom to put all her jewelry making supplies in so that she can work anywhere. Before I put it all together I showed her the fabric choices and she calmly said… “only an artist could put those together”
…which worried me for a beat; thoughts of ‘am I crazy with this combo” and ‘maybe she won’t like it’ went through my brain. But I quickly hushed them up and proceeded. I knew she’d like it once it was together. My darling husband covered the buttons for me, and a week later still has the bruises to show it. There has to be a better method then what we were using.

I just love the buttons

Snaps all around the outside, and a few on the inside. 15 pockets in all!

Here's a veiw of all 3 fabrics together. I can see the trepidation of combining them

She was quite thrilled with the end product

Love Love Love the buttons!

I’ve also started on a Regency nightgown for the retreat this December. I forced myself to watch Sense and Sensibility again, the 2008 BBC version, for inspiration. Really, my arm was being twisted to do this research. :) At one point, Hattie Morahan (as Elinore) and Charity Wakefield (as Marianne) were chatting before bed, allowing a good view of their nightgowns. I sketched them up and choose the top two images for mine. I have a list started somewhere with the massive amount of things I still need. I’ll probably finish that up and post it here so I have some accountability :)

A good start

Blue on Blue

I am enamored of a new blog I’ve found, welovefrenchknots and have utilized an embroidery stitch that the lovely Bari has shown me (the bouillon stitch) in my new skirt! I started out very methodical about this and drew two of my flowers out first. As you can see, I used two of the sketches previously shown, and added a third. I have never used any sort of transfer method before, and decided that I should for this project. I used some sort of carbon like transfer paper and had to experiment before I figured out how to best use it (fabric, then carbon, then original drawing which I just traced back over) 

 Here comes the not so methodical part… I drew my first one on, and then proceeded to embroider it. Drew the second one on, embroidered it, and then decided I wanted a third one on there, below the first two. So I sketched out another one I liked put it on and started. And part way through I realized how close I was to the hem; so close in fact, that there was no way I could hem it properly and still make it look good.  Oops. 

 Plan B formulated and I decided to match the embroidery with binding. Of course I had to make my own binding, as that exact color did not exist pre-made. Oh well, no worries, and I actually love the addition.

I did have to temper myself and keep the embroidery to one panel so as not to make it look over done, otherwise this could be the project that never ends with every inch covered in bluework. Can you blame me though? The blue on blue is divine.
Overall, I like the skirt. I’m not thrilled with the waistband (elastic) but I suppose I knew that going into it.

And the front panel lies weirdly, which I’m guessing has something to do with the elastic as well. I suppose I could try to remove the elastic, pleat the top and insert a zipper, but I don’t want to ruin it. And I’m pretty sure pleats are not flattering on me.
I didn’t realize this was so out of focus when I took it, but here it is on.

Thanks for the inspiration Bari!!

A new blue skirt

Well, I thought there were some pictures of me all decked out in the almost finished black gown at Le Bon Ton’s Haunted Summer Evening, but it seems they have disappeared from the ether. Not to worry, I still have some trim work to finish on it, and shall post images later. In the meantime, I’ve finished cleaning up the seams on the purple sheer, and I’ve got some of the box pleats made for the black dress. I’ve also started a (gasp!) modern skirt from this Simplicity pattern.

I’ll have a white lining under a solid blue, and I’ve sketched out a design for embroidering one of the godets; I like the idea of a darker blue embroidery on the light blue fabric.

I like the two outer lilies and think I shall place one above the other, with possibly some hint of leaves or something to round out the design.

I also have a couple of lovely finds here; Nora and I were shopping at the wonderful Button Emporium and Ribbonry some time ago where I found the printed image. I decided this would be a lovely addition to our room at the Regency retreat coming up in December, and it needed only a frame, which I found today. Perfect!

More Drawstring progress

I had a minor setback of setting my sleeves slightly off kilter (which I do

more than I'd like to admit - it's not that I put them on the wrong side, I

just rotate them slightly off) and after the ensuing panic that "it fit without the

sleeves, what's going on?!?" I realized my mistake, then went through

the painstaking process of removing french seams, resetting them and

now they are good again. As you can see, I've attached the skirt to

bodice, added two drawstrings and it looks pretty good. Except for

my enevitable issue of the back being too big, right in the top center.

Which is so weird, because this is the exact same pattern that I used

for the purple sheer, and that back fit beautifully. Sigh. Well, I should

be able to get some pleated ruffles made and I suppose I can tuck that

 in when attaching the trim. I'm so close to being done at this point. And,

happy day, I have plenty of the linen left over, so I made myself a simple

drawtring skirt for daily wear.

Drawstring progress

These gowns never look as good on

the dress form as they do on,

however, here is the bodice finished

(save for the sleeve hems), and the 95

inches of fabric crammed into 30 or

so inches of knife pleats. I have only

to attach the two and decide where the

drawstring goes to finish the main

construction. Then, should I

have time, I shall trim with ruffles.

Drawstring gown

Time to start a new Regency gown. I have this lovely black linen stripe that I will wear this weekend to an event hosted by Le Bon Ton.

I started out thinking that maybe I would make another bibfront, since I now like it much better with my new long stay underneath giving me the proper shape. But, like I've stated previously, I'm still not sure about this design. I almost feel like it's the Regency version of overalls, and frankly, overalls are no one's friend...
See why one should wear a petticoat ladies? Muslin is rather see through.

So, the mental debate rages on. I've attempted the drawstring previously, and failed to make one I particularly like. Nora has given me a few tips that give me hope and so I am altering a patten from two that I currently like. The back of my new purple sheer...
(This is just showing my alterations of the original Janet Arnold pattern.)

And the front of my bodiced petticoat.

So far, so good.

I've actually gotten a bit further than this stage, but have failed to take pictures yet. Have I mentioned how much I love this fabric? The stripes are subtle yet give it visual interest. I have the notion to add box pleat ruffles around the sleeve and neck line. We'll see if I have time. After the event this weekend, It will make a nice under dress for sheers to go over as black was not an oft used color unless one was mourning, or (gasp!) worked for a living.
Cheers,
Charlotte